When night falls, it's time for scary stories around a campfire until a storm drives them inside. Couple Jeff and Marcy immediately christen the cabin with an intense session of sex, Paul goes swimming with his longtime friend Karen and makes an unsuccessful attempt to take their relationship to the next level (given the stories she tells and her general personality, I can't imagine why he's into her), and Bert wanders the woods, shooting at squirrels with a rifle. The group reaches their destination and spends an evening settling in at the cabin. Travelling from the city into the country, they meet an odd assortment of characters - the silent little boy who sits on the swing outside of a market, biting anyone who gets too close the market's kindly old clerk who uses unacceptable words a pothead with an unfriendly dog. As in The Evil Dead, they're going on vacation, planning to spend a week in a small, isolated cabin in the woods. Like The Evil Dead and The Texas Chainsaw Massacre, Cabin Fever starts off with a group of young friends on a road trip. I really don't like the group of college students at the center of the story at all, although they are occasionally amusing. I would even agree with viewers who thought the characters were repugnant.
I would agree with those who didn't think Cabin Fever wasn't the frightfest early reviews had made it out to be - I thought it was more funny than scary.
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The reaction was mixed, with viewers who felt the movie didn't live up to the hype sparking a backlash. Legions of horror fans awaited its release. A lot of positive reviews came from its festival screenings, and there was even word that the guys of the special effects group KNB, who provided the effects for Cabin Fever, thought it was one of the greatest movies they had worked on since Sam Raimi's Evil Dead II. There was a lot of hype for Cabin Fever in the online community between its festival debut in 2002 and its wide theatrical release in 2003. Roth mixed all these inspirations together to make a film that is distinctly his own. Romero's Night of the Living Dead and Dawn of the Dead. Viewers may also catch references to other horror films such as George A. Roth's inspirations for the style and structure of Cabin Fever were Sam Raimi's The Evil Dead, Tobe Hooper's The Texas Chainsaw Massacre, and John Carpenter's The Thing, with a nod to Wes Craven's The Last House on the Left in the soundtrack - a couple of David Hess's songs that were featured in Last House are also featured in Cabin Fever.
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